Theater Programs, My Goofy Collections, and the Weekly Photo Challenge: Boundaries

There’s a porous boundary between collecting and hoarding. I see I wasn’t paying attention when I crossed over it. Way over it. These are Theater Programs — just a small portion of the ones I, um, collected.

Theater ProgramsThis stack is bigger than it looks. I counted 77 to discard, and I’m only a little way through the “collection”.

I can’t think of anything else to do with them but recycle. I don’t think there’s a museum of theater programs to donate to, although a little conscious googling reveals that MoMA has a collection of Parisian Avant-Garde theater programs (here’s a link). Too bad mine don’t fit that category.

Yet, I am thinking of keeping a few, silly as it sounds. I’m a country girl. I’d been to the opera on a previous international trip, but I’d never gone to plays until my first trip back to London after I started working for the airlines.  I went to A Chorus Line at Drury Lane, and I was hooked. From then on I went to the theater every trip, sometimes every night. Programs were large and glossy, all through the 1980s and even into the 2000’s. After that? Here’s program-shrinkage from the Alliance Theater in Atlanta, 2001-2014 —

Theater Programs are shrinking, but, that's a good thing.

Theater Programs are shrinking, but, that’s a good thing. There’ll be less waste.

In the beginning, I collected programs so I’d remember which actors I’d seen in London or New York. I kept that interest over the years through subscriptions to Missouri Repertory Theater in Kansas City, the Alliance in Atlanta, and trips to the Shaw Festival in Ontario. Now, looking back through the programs, I realize I’ve seen so many productions over the years that there are many I’ve forgotten.

Some theaters encourage us to leave our programs there for the next audience, and I realize that anything else is wasteful. I wonder how long it will be before we can download them or view them on our phones while in the lobby? The Met Opera already e-mails program notes before its cinema simulcasts, so I expect help is on the way.

In The Life-Changing Magic of Tidying Up, Marie Kondo’s mandate is to discard any possessions that do not spark joy. Examining the programs did give me joy, but I have to admit they’ve fulfilled their purpose. Now I can cross that boundary back into “collection” and disperse my hoard …

Can anyone think of a good use for old theater programs?

More on the Weekly Photo Challenge: Boundaries

An official collection of programs and playbills

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12 thoughts on “Theater Programs, My Goofy Collections, and the Weekly Photo Challenge: Boundaries

    • Those are good ideas – and I just got a note from a friend who used to travel with me. She framed some of hers in interesting combinations, so that might work for me too. I still won’t keep many, but a few would be nice. Thanks for commenting! — Sandy

  1. Aaaah. Program booklets. That’s quite a collection you have. Some of them can be really fancy with thick paper and lots of colour. I used to frequent watching the Melbourne Symphony Orchestra a few times a year a few years back. I certainly grabbed the program guide and it would tell me about the history of the pieces and the guests musicians. And of course, the conductor. I decided to send them all to recycling the other day.

    Like you, I couldn’t remember half of the concerts I went too…

    • I feel really bad about forgetting some of the plays. (but somewhat comforted to find I’m not the only one) It’s so good to see “real people” right there on the stage and not on a movie screen — that’s worth remembering! It sounds like our timing on sorting out the programs is synchronous… thanks for commenting Mabel — Sandy

      • Sometimes I think, “Why did I go to see that performance in the first place?” while flipping through the old program booklets. Then the price of each ticket comes back to me and if I hadn’t gone to so many, I would easily have a few thousand dollars more in my pocket.

        But yes, seeing performers right before your eyes is a sight to behold. Nothing like live talent. However, being the short person that I am, unless I am in the front row there us always bound to be someone blocking my view…which is why I generally splurge on music tickets.

      • I think another reason to go (even when we eventually forget some of the performances)– is to support people in the arts. My fault for seeing so many that I forget some. That could be “age” but I like to think it’s just developing taste. 🙂
        As a fellow short person, I always get the side aisle when possible. It works in movie theaters too. Inevitably, if there’s someone with a big hair style or a large hat, or someone who can’t help being 7 feet tall — that person has the seat in front of ME. I hadn’t thought of the music solution. Good one!

      • “to support people in the arts.” Certainly a good reason to go to theater or orchestra. The more we see, the more we discover what kinds of art genre floats our boat and what we connect to.

        Side aisle seats are certainly the way to go. A few months ago I went to a music concert and got an aisle seat somewhere in the middle. Not ideal since someone tall sat in front of me. Had it been the aisle to my right, I would have been able to shift slanted in my seat and see the show in full view.

      • Some theaters have the seats staggered so that it’s possible to see between people in front of you — (unless the hair or hat is really wide, and I have been behind some of those. I wish more theaters realized it’s needed. Stadium seats in the newer cinemas are wonderful in that regard. Maybe we’ll have to switch to movies.

      • Of the auditoriums I’ve been to, generally the seats right in front of the stage or the “stalls” section is flat, and as it goes back staggered and so are seats in the upper levels. Still, it’s always hard for me to see unless I’m like five rows from the front.

        Comes to think of it, I’ve never had trouble seeing the screen in cinemas. Perhaps the seats here tend to be staggered much more.

      • Those seats in the very front can make it easier to see because everyone is looking up. But it always gives me a crick in the neck, so back is better. But in London, for example, they used to sell the seats in the 1st 2 rows on the morning of the performance, and they were less expensive — so tempting.
        Sounds like you have better cinema seats (here, it can be a problem seeing subtitles, which usually just happen in the older cinemas anyway, since the big ones just get blockbusters, not films in other languages) I sound like a person who is overly entertained!

  2. Pingback: Theater Programs, My Goofy Collections Part 2, and the Weekly Photo Challenge: Vibrant | Hoarder Comes Clean

  3. Pingback: Confronting my Collections: programs and newspapers | Life with Less

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