Winnie-The-Pooh: Exploring a Classic, at the High Museum, Atlanta (Cee’s Fun Photo Challenge: CFFC)

Step up Atlanta – there are only three days left to see the High Museum’s exhibition Winnie the Pooh, Exploring a Classic. It’s an immersive exhibition with many original drawings by illustrator E.H. Shepard, plus a room full of Pooh memorabilia, photographs, play-spaces, and reproductions of the toys.

To me the drawings were a revelation. I’d seen (and loved) the books, but the preparatory drawings are on a whole new level. There’s more depth and detail in the drawings than in the modern editions of the books.

"Do you think it's a Woozle?" - Winnie the Pooh: Exploring a Classic - “Pooh and Piglet go hunting,” Winnie-the-Pooh chapter 3, pen and ink sketch by E. H.Shepard, 1926. From the collection of Clive and Alison Beecham © The Shepard Trust

“Do you think it’s a Woozle?” – Winnie the Pooh: Exploring a Classic – “Pooh and Piglet go hunting,” Winnie-the-Pooh chapter 3, pen and ink sketch by E. H.Shepard, 1926. From the collection of Clive and Alison Beecham © The Shepard Trust

We see Pooh and Piglet (above) from behind, but they’re still individual personalities. I hadn’t seen Pooh, Piglet, Eeyore and company for a while. Modern anime eyes and googley Disney eyes and exaggeration are so intrusive that I’d almost forgotten the joys of subtle expression, compact movement and economy of line.

Another revelation: the trees. The subject may be Piglet in the flood or three friends discovering Roo, but the forest is a character too.

A very small animal entirely surrounded by water - E.H. Shepherd, 1926

“It’s a little anxious to be a very small animal entirely surrounded by water” – E.H.Shepard, 1926

E.H. Shepherd, Winnie-the-Pooh, Exploring a Classic, High Museum Atlanta

E.H. Shepard, Winnie-the-Pooh, Exploring a Classic, High Museum Atlanta

The Three Pine Trees - High Museum, Winnie the Pooh Exploring a Classic

The Three Pine Trees – High Museum, Winnie the Pooh, Exploring a Classic, High Museum, Atlanta

Re-reading the first book, I found only one written description of the trees. The illustrations carry it after that.

It was a fine spring morning in the forest as he started out. Little soft clouds played happily in a blue sky, skipping from time to time in front of the sun as if they had come to put it out, and then sliding away suddenly so that the next might have his turn. Through them and between them the sun shone bravely; and a copse which had worn its firs all the year round seemed old and dowdy now beside the new green lace which the beeches had put on so prettily.

They’re a little bit of ancient Britain shining first into the 20th, and now the 21st Century, a remnant of enchanted forests.

Here’s a photograph of E.H. Shepard…

E.H. Shepard, photograph by Howard Coster, 1932, given by Mrs Norah Shepard © National Portrait Gallery, London.

E.H. Shepard, photograph by Howard Coster, 1932, given by Mrs Norah Shepard © National Portrait Gallery, London. (High Museum, Winnie-the-Pooh, Exploring a Classic)

… and A.A. Milne, Christopher Robin Milne and Pooh Bear, by Howard Coster, 1926 © National Portrait Gallery, London.

A.A. Milne, Christopher  Robin Milne and Pooh Bear, by Howard Coster, 1926 © National Portrait Gallery, London

Photograph of A. A. Milne and Christopher Robin
From: Correspondence and other material relating to the illustration and publication of ‘Winnie the Pooh’ and ‘Now we are six’, 1925-1926.

 

And at the end, wall-sized “Good-Bye”… 

High Museum, Winnie the Pooh Exploring a Classic

“Of course it isn’t really good-bye… the Forest will always be there, and anyone who is Friendly with Bears can find it.”

And one more thing, for a little color, and a little fun, (and in case you’re wondering how I can possibly work this post into this week’s Cee’s Photo Challenge: Teal/Aqua/Seafoam/Turquoise)… who doesn’t love picture cut-outs?

Eeyore/Piglet cutout - High Museum Winnie the Pooh Exploring a Classic

Today’s question: are you Friendly with Bears?

Cee’s Fun Photo Challenge

More on the exhibition: High Museum

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Murals, Art and MARTA, and Cee’s Fun Foto Challenge

A sunny day last May, a walk to the neighborhood grocery store, and a discovery when passing the MARTA train station (that’s “Metropolitan Atlanta Rapid Transit Authority”) — there’s painting going on — it’s not just MARTA now, it’s MARTA.

Midtown MARTA Station painter

Midtown MARTA Station mural artist – Andrew Catanese

Yes – the wheels are off the ground.

And, it’s not just a one-side-of-the-door thing, there are several murals… and more painters.

Midtown MARTA Station mural - painter's helpers

Painter’s helpers – just starting out

The murals were commissioned by MARTA’s Artbound program. We watched as the weeks went by and the details got filled in… here are more recent photos.

Atlanta Midtown MARTA Station mural

I like to think of this next one as “Sheep may safely graze” but maybe they’re goats (they are across the street from the Dancing Goat coffee shop). A nearby sign tells us that the mural “celebrates Midtown as a diverse and collaborative community that welcomes all” – so I’m thinking safely grazing is accurate enough.
Atlanta Midtown MARTA Station mural

Details are lots of fun…

Atlanta Midtown MARTA Station mural

“Picasso eyes?”

Atlanta Midtown MARTA Station mural

Goose with glasses…

Atlanta Midtown MARTA Station mural

Peeking parrot, or bird with hands?

I see now that there were volunteer days — I wish I’d known, it would have been fun to go and help paint.  Meanwhile,  there’s a ribbon-cutting ceremony at the station on Monday July 23, for dedication of the murals. I’m putting that on my calendar. And, after looking at the page about the Artbound program, I see I’m going to have to get busy and tour more MARTA Station Art.

More about the Midtown MARTA Murals 

and MARTA’s Artbound program

 

Waterfalls, Lotus Ponds, Atlanta’s Midtown Open Garden Stroll, and the Weekly Photo Challenge: Liquid

Sunday was the 4th year we’ve gone to the “Midtown Open Garden Stroll” in Atlanta – it’s always a joy, and speaking of liquid, it almost always rains at least some time during the day. This year there was thunder rumbling as we walked home, but the rain held off until later. We were lucky to see the sun shining on garden ponds and fountains. Here’s a favorite from this year’s tour —

Garden Pool with waterfall - Atlanta Midtown Open Garden Stroll 2018

This one had everything: lotus flowers, koi, and electric-blue dragonflies who were determined not to sit still for their close-up.

 

Lotus Pool - Atlanta Midtown Open Garden Stroll 2018

Here’s the lotus side of the pool.

Atlanta Midtown Open Garden Stroll sign

Signs identify homes on the tour, indicating which part of the yard/garden is open.

Atlanta Midtown Open Garden Stroll 2017 - frog planter

This frog planter is from a front garden on last year’s tour.

Side Garden - Atlanta Midtown Open Garden Stroll  2017

Here’s a side garden from last year’s tour – even the narrow space between homes is beautifully planned and tended.

Back Garden - Atlanta Midtown Open Garden Stroll  2017 and 2018

There’s a koi pond at the end of the walkway in this serene back yard garden.

Atlanta Midtown Open Garden Stroll 2017: we liked this house across the street from one of the open gardens..

Sometimes there are surprises along the way. This house was across the street from one of last year’s open gardens. I was fascinated by the colors, the roofline, the arched windows and door. 

I’m lost in admiration for these gardens and the people who design them, care for them, and let all us strangers tromp in to see their private wonderlands. But I have a new outlook on garden tours now that I no longer have a back yard of my own. I can still identify and appreciate plants. If I see something new and different I want to know what it is, but there’s been a shift in my regard. They seem more like garden art, and (at least for now) I’ve lost my possessive instinct. I no longer yearn to have them for my own to nurture. Maybe it’s just laziness, or maybe it’s facing reality that there’s only so much time available. After all, I always liked development work more than maintenance and let’s face it – weeding is maintenance.

Here’s more on the Weekly Photo Challenge: Liquid

Do you have a favorite local garden tour?

MoMA, New York, and the Weekly Photo Challenge: Favorite Place

How can I pick one all-time favorite place? — I have too many. But, “a favorite location I return to again and again?” That I can do. March weather has been unkind in the Northeast, so we’re glad we planned our New York trip for April this year. Here’s some favorite viewing from the Museum of Modern Art (MoMA) from last year’s trip…

At MOMA: Parviz Tanavoli  Iranian/Canadian The Prophet - 1964

The Prophet, 1964. Bronze on wood base. By Parviz Tanavoli, an Iranian/Canadian artist, born 1937.

MOMA: Ibrahim El-Salahi - The Mosque, 1964. By Ibrahim El-Salahi, Sudanese, Born 1930

The Mosque, 1964. Oil on canvas. By Ibrahim El-Salahi, a Sudanese artist, born 1930. In 1964, he received a Rockefeller grant to travel to New York.

MOMA: Faramarz Pilaram, Iranian (1937 - 1982) - Laminations (Les Lames) 1962, Gouache,metallic paint, and stamped ink on paper

Laminations (Les Lames) 1962. Gouache,metallic paint, and stamped ink on paper.  Faramarz Pilaram, an Iranian artist and proponent of Iranian Modernism (1937 – 1982)

What do these pieces have in common? MOMA posted the following beside each —

‘This work is by an artist from a nation whose citizens would be denied entry into the United States according to recent presidential executive orders. This is one of several such artworks from the Museum’s collection installed throughout the fifth floor galleries to affirm the ideals of welcome and freedom as vital to the Museum, as they are to the United States.”

On a lighter note, moving outside, here’s what was blooming —

Crocus - Central Park March 2017

Crocus – Central Park March 2017

What’s your favorite place for travel?

More on the Weekly Photo Challenge: Favorite Place

Coming up at MoMA

 

 

Joris Laarman Lab – Design in the Digital Age, at the High Museum (Photo Challenge: Tour Guide)

Come see the future: Joris Laarman Lab – Design in the Digital Age encompasses a search for beauty as well as functionality, art in addition to technology, and includes maker-chairs, a bio-luminescent lamp, and yes, an exhibit on start-up company MX3D’s 3D-printing project to build a pedestrian bridge across an Amsterdam canal.

These elegant chairs were cast in 3D printed molds. They were designed using computer software based on the work of German professor Dr. Claus Mattheck, utilizing growth patterns of bones and trees to provide minimal structure for maximum strength.

Bone Rocker - beige noir marble and synthetic resin - Joris Laarman Lab - High Museum Atlanta GA 2018

Bone Rocker, Beige Noir marble and synthetic resin, 2007.

Bone Chair - marble and resin - Joris Laarman Labs - High Museum exhibit 2018

Bone Armchair, Carrara marble and synthetic resin, 2007.

As beautiful as they are, I have to admit, the first thing I thought was “What about the dust?” The second thing I thought was “The spiders would love these.”  Apparently I am too plebeian to have lovely minimalist chairs. They are gorgeous museum pieces, and if found in a home, it would be the home of someone with maid service.

Then I wondered about comfort. When I was in my 30’s (like these designers) that didn’t worry me at all. I loved my Arts-and-Crafts oak furniture with square sides and hard seats, and scoffed at comments about discomfort because who cared? — it looked good. Now I put pillows on everything, even one of Sam’s Eames chairs, to his dismay.

This robotic arm is building three “Digital Matter” tables from metal cubes that are 3D versions of pixels, large, medium, and small. (they’re “voxels” — volumetric pixels)

Still from video - Joris Laarman Lab - assembling Digital Matter Tables - photo from High Museum exhibit, Atlanta GA

Joris Laarman Lab – robot assembling Digital Matter Tables – photo still taken from exhibition video – High Museum exhibit, Atlanta GA, 2018

The three “Digital Matter” tables were commissioned by the High in 2011 and are now in the permanent collection — if soaked in acetone, the pieces separate and can be used to build something new. “Wow,” I thought, “that would have solved so many of my downsizing issues.”  It’s been slow work to clear the hoard while honoring my quest to be environmentally correct, and get stuff reused or recycled instead of taken to a landfill. 

Three Digital Matter Tables - High Museum, Atlanta GA - Joris Laarman Labs

With three sizes of cubes, the tables have graduating resolution. 

Here’s a detail of the middle table —

Digital Matter Tables/detail - Joris Laarman Labs -High Museum Atlanta GA

The ornamentation is a tribute to “Super Mario”, but up top, there’s a tip of the hat to Pac-Man…

Digital Matter tables - pac man detail - Joris Laarman Lab - High Museum Atlanta GAAnd here I go with “Art Museum Eyes” again — leaving the exhibition I saw this view out the window —

Cousins Building - art museum eyes

There’s far more in this innovative (and fun) exhibition than I can communicate in one blog post, so if you’re near Atlanta, come and see it for yourself. If you can’t make it by closing on May 13, come anyway, the High’s permanent collection features more work from Joris Laarman Lab than any museum outside the Netherlands.

High Museum of Art, Atlanta GA, Feb 18-May 13, 2018.

I wonder how many reconstituted tables it would take to make a building? We may find out. There are projects afoot …

 

More on the Weekly Photo Challenge: Tour Guide

More on the exhibition

 

Lofts, Stairs, Castleberry Hill, and the Weekly Photo Challenge: Ascend

One of the things I love about lofts is that they can be so, um, lofty. That means they have stairs, and in many and varied forms. Here are a couple of my favorites from an October outing to the Castleberry Hill Loft tour.

Castleberry Hill loft stair

The ascending view, with a spiral staircase, colorful art, and a fabulous gallery wall above.

Here’s the descending view. I’m always leery of tumbling down, so I like to lurk about until Sam goes first, then I stop, catch my balance, and take a photo of him. 
Spiral stair, Castleberry Hill loft

Here’s another staircase, from another elegant and art-filled space.
Castleberry Hill - Loft stair ascending

 

… and the descending view.
Loft stair from top - Castleberry Hill tour

In transit between homes, we encountered this chicken, who had just crossed the road.

Chicken in the road; Castleberry Hill

Chicken in the road: no word on why he crossed it….

Do some lofts have a view from the top? Well yes. On this rooftop, Sam pointed out that we could see the building where he lives… here, it’s a tiny spire in the distance.

Rooftop view, Castleberry Hill loft tour

Now in an up-and-down-again, there-and-back-again, across-the-road-again way, the next photo is Sam’s view back toward Castleberry Hill. The stadium building (with the Mercedes sign, on the left in the photo above) is barely visible on the horizon in the lower right, below. It’s just above the red V-for-Varsity sign.

View south from midtown Atlanta

View south from midtown Atlanta

So we’re back again and ready for next year’s Castleberry Hill loft tour.

Do you have a favorite local homes tour?

 

More on the Weekly Photo Challenge: Ascend

And, some information on next year’s Castleberry Hill Loft Tour

More Buttons, More MAD, and the Weekly Photo Challenge: Rounded

It’s hard to get more rounded than a button, so I’ll take this excuse to post yet another kind of button collection —

Assorted buttons...

Assorted buttons… mostly rounded.

Not that this is a conscious collection, it’s a group of ‘found’ buttons I put together when I came across them while packing up. Some must have been Bob’s (Politically Incorrect). Later I found political buttons old enough to have been his father’s, but by now they’re packed up again. They may show up in a later post.

Here’s a button collection from a display at MAD’s (the Museum of Art and Design) Counter Couture show last March.  It’s a time-capsule, an interesting aside to the exhibition, and a flashback if you remember the Sixties (but as the saying goes, if you remember the Sixties you weren’t really there). It was a big time for buttons, so someone got a little humor out of the ‘Ban Buttons’ button —

The Sixties: Buttons at MAD Counter Couture

A Historical View: Sixties Buttons at MAD’s Counter Couture

While we’re at MAD,  here’s a view of a gorgeous and eye-popping crocheted wrap and bathing suit with rounded patterns. Curves may have been synonymous with groovy there for a while. —

Birgitta Bjerke - Red Hands bathing suit , 1968

Birgitta Bjerke – Red Hands bathing suit (wool), and on the wall, Heather Daltrey coat , 1968 (wool)  Wait, what — wool bathing suit?

As for the Sixties, here’s a test: “Remember what the dormouse said?”

More on the Weekly Photo Challenge: Rounded

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