Murals, Art and MARTA, and Cee’s Fun Foto Challenge

A sunny day last May, a walk to the neighborhood grocery store, and a discovery when passing the MARTA train station (that’s “Metropolitan Atlanta Rapid Transit Authority”) — there’s painting going on — it’s not just MARTA now, it’s MARTA.

Midtown MARTA Station painter

Midtown MARTA Station mural artist – Andrew Catanese

Yes – the wheels are off the ground.

And, it’s not just a one-side-of-the-door thing, there are several murals… and more painters.

Midtown MARTA Station mural - painter's helpers

Painter’s helpers – just starting out

The murals were commissioned by MARTA’s Artbound program. We watched as the weeks went by and the details got filled in… here are more recent photos.

Atlanta Midtown MARTA Station mural

I like to think of this next one as “Sheep may safely graze” but maybe they’re goats (they are across the street from the Dancing Goat coffee shop). A nearby sign tells us that the mural “celebrates Midtown as a diverse and collaborative community that welcomes all” – so I’m thinking safely grazing is accurate enough.
Atlanta Midtown MARTA Station mural

Details are lots of fun…

Atlanta Midtown MARTA Station mural

“Picasso eyes?”

Atlanta Midtown MARTA Station mural

Goose with glasses…

Atlanta Midtown MARTA Station mural

Peeking parrot, or bird with hands?

I see now that there were volunteer days — I wish I’d known, it would have been fun to go and help paint.  Meanwhile,  there’s a ribbon-cutting ceremony at the station on Monday July 23, for dedication of the murals. I’m putting that on my calendar. And, after looking at the page about the Artbound program, I see I’m going to have to get busy and tour more MARTA Station Art.

More about the Midtown MARTA Murals 

and MARTA’s Artbound program

 

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The High Line, the BeltLine, and the Weekly Photo Challenge: Lines

The High Line: on this year’s trip to New York, we finally got to see it greening up for spring.

High Line Park NYC - from the Whitney Museum

From a balcony at the Whitney Museum of American Art. The High Line: a 1.45 mile long park in New York City, created on a stretch of elevated railway that was no longer used. 

High Line Park NYC - spring

Looking back toward the Whitney. I love it that pieces of the old railroad track are incorporated into the landscaping. 

High Line Park NYC - spring blooms

The daffodils were blooming. That’s a first for us, after the last two years when we traveled in March and were blessed with snow.

At home in Atlanta, we have the BeltLine, not elevated like the High Line, but destined to be much longer. It’s a proposed loop of around 22 miles of trails planned to connect 45 neighborhoods. Here’s Sam on a rainy day last fall. It was one of the days with lots of hurricane-engendered rain, and for a while we were the only ones out braving the storm.

Atlanta BeltLine - stormy day

The BeltLine already needs a new lane. It’s often mobbed. Between speeding bicycles and people with dogs on long leashes making trip-wires, it can be difficult to walk safely.

There’s lots of art along the way, and landscaping is coming along nicely. These are from a sunnier day —Atlanta BeltLine - morning glory Atlanta BeltLine - grasses

Turning disused rail lines into walking trails is not a new idea. Years (decades) ago, when the trains no longer came through my small hometown, there was a plan to remove the rails and ties and make the railroad line into a walking trail. I’d already moved away, so I’m not sure what became of that, but I think it would have been hard to keep the trails going. For example, they were fragmented by the removal of two of the three railroad bridges. Here’s one that stayed,  (I think it’s still there) —

NH railroad bridge

The bridge on the other end of town is a background in this next photo, a family history photo now — the girl wearing glasses is my mother at 16.

When I was growing up there, we walked on the railroad tracks, played on the bridges (gasp!) and along the way, picked berries and asparagus that grew beside the tracks. With all these railroad track paths, it sounds like I’ve spent my life walking railroad lines, doesn’t it?

Do you have a favorite rail line path?

More on the Manhattan High Line  Wow – I see you can adopt a plant. I’m considering… I’d want to see updates on mine though, and maybe visit it each year to check on progress and be allowed to give it a little compost treat.

More on the Atlanta BeltLine

More on the Weekly Photo Challenge: Lines

MoMA, New York, and the Weekly Photo Challenge: Favorite Place

How can I pick one all-time favorite place? — I have too many. But, “a favorite location I return to again and again?” That I can do. March weather has been unkind in the Northeast, so we’re glad we planned our New York trip for April this year. Here’s some favorite viewing from the Museum of Modern Art (MoMA) from last year’s trip…

At MOMA: Parviz Tanavoli  Iranian/Canadian The Prophet - 1964

The Prophet, 1964. Bronze on wood base. By Parviz Tanavoli, an Iranian/Canadian artist, born 1937.

MOMA: Ibrahim El-Salahi - The Mosque, 1964. By Ibrahim El-Salahi, Sudanese, Born 1930

The Mosque, 1964. Oil on canvas. By Ibrahim El-Salahi, a Sudanese artist, born 1930. In 1964, he received a Rockefeller grant to travel to New York.

MOMA: Faramarz Pilaram, Iranian (1937 - 1982) - Laminations (Les Lames) 1962, Gouache,metallic paint, and stamped ink on paper

Laminations (Les Lames) 1962. Gouache,metallic paint, and stamped ink on paper.  Faramarz Pilaram, an Iranian artist and proponent of Iranian Modernism (1937 – 1982)

What do these pieces have in common? MOMA posted the following beside each —

‘This work is by an artist from a nation whose citizens would be denied entry into the United States according to recent presidential executive orders. This is one of several such artworks from the Museum’s collection installed throughout the fifth floor galleries to affirm the ideals of welcome and freedom as vital to the Museum, as they are to the United States.”

On a lighter note, moving outside, here’s what was blooming —

Crocus - Central Park March 2017

Crocus – Central Park March 2017

What’s your favorite place for travel?

More on the Weekly Photo Challenge: Favorite Place

Coming up at MoMA

 

 

Joris Laarman Lab – Design in the Digital Age, at the High Museum (Photo Challenge: Tour Guide)

Come see the future: Joris Laarman Lab – Design in the Digital Age encompasses a search for beauty as well as functionality, art in addition to technology, and includes maker-chairs, a bio-luminescent lamp, and yes, an exhibit on start-up company MX3D’s 3D-printing project to build a pedestrian bridge across an Amsterdam canal.

These elegant chairs were cast in 3D printed molds. They were designed using computer software based on the work of German professor Dr. Claus Mattheck, utilizing growth patterns of bones and trees to provide minimal structure for maximum strength.

Bone Rocker - beige noir marble and synthetic resin - Joris Laarman Lab - High Museum Atlanta GA 2018

Bone Rocker, Beige Noir marble and synthetic resin, 2007.

Bone Chair - marble and resin - Joris Laarman Labs - High Museum exhibit 2018

Bone Armchair, Carrara marble and synthetic resin, 2007.

As beautiful as they are, I have to admit, the first thing I thought was “What about the dust?” The second thing I thought was “The spiders would love these.”  Apparently I am too plebeian to have lovely minimalist chairs. They are gorgeous museum pieces, and if found in a home, it would be the home of someone with maid service.

Then I wondered about comfort. When I was in my 30’s (like these designers) that didn’t worry me at all. I loved my Arts-and-Crafts oak furniture with square sides and hard seats, and scoffed at comments about discomfort because who cared? — it looked good. Now I put pillows on everything, even one of Sam’s Eames chairs, to his dismay.

This robotic arm is building three “Digital Matter” tables from metal cubes that are 3D versions of pixels, large, medium, and small. (they’re “voxels” — volumetric pixels)

Still from video - Joris Laarman Lab - assembling Digital Matter Tables - photo from High Museum exhibit, Atlanta GA

Joris Laarman Lab – robot assembling Digital Matter Tables – photo still taken from exhibition video – High Museum exhibit, Atlanta GA, 2018

The three “Digital Matter” tables were commissioned by the High in 2011 and are now in the permanent collection — if soaked in acetone, the pieces separate and can be used to build something new. “Wow,” I thought, “that would have solved so many of my downsizing issues.”  It’s been slow work to clear the hoard while honoring my quest to be environmentally correct, and get stuff reused or recycled instead of taken to a landfill. 

Three Digital Matter Tables - High Museum, Atlanta GA - Joris Laarman Labs

With three sizes of cubes, the tables have graduating resolution. 

Here’s a detail of the middle table —

Digital Matter Tables/detail - Joris Laarman Labs -High Museum Atlanta GA

The ornamentation is a tribute to “Super Mario”, but up top, there’s a tip of the hat to Pac-Man…

Digital Matter tables - pac man detail - Joris Laarman Lab - High Museum Atlanta GAAnd here I go with “Art Museum Eyes” again — leaving the exhibition I saw this view out the window —

Cousins Building - art museum eyes

There’s far more in this innovative (and fun) exhibition than I can communicate in one blog post, so if you’re near Atlanta, come and see it for yourself. If you can’t make it by closing on May 13, come anyway, the High’s permanent collection features more work from Joris Laarman Lab than any museum outside the Netherlands.

High Museum of Art, Atlanta GA, Feb 18-May 13, 2018.

I wonder how many reconstituted tables it would take to make a building? We may find out. There are projects afoot …

 

More on the Weekly Photo Challenge: Tour Guide

More on the exhibition

 

Lofts, Stairs, Castleberry Hill, and the Weekly Photo Challenge: Ascend

One of the things I love about lofts is that they can be so, um, lofty. That means they have stairs, and in many and varied forms. Here are a couple of my favorites from an October outing to the Castleberry Hill Loft tour.

Castleberry Hill loft stair

The ascending view, with a spiral staircase, colorful art, and a fabulous gallery wall above.

Here’s the descending view. I’m always leery of tumbling down, so I like to lurk about until Sam goes first, then I stop, catch my balance, and take a photo of him. 
Spiral stair, Castleberry Hill loft

Here’s another staircase, from another elegant and art-filled space.
Castleberry Hill - Loft stair ascending

 

… and the descending view.
Loft stair from top - Castleberry Hill tour

In transit between homes, we encountered this chicken, who had just crossed the road.

Chicken in the road; Castleberry Hill

Chicken in the road: no word on why he crossed it….

Do some lofts have a view from the top? Well yes. On this rooftop, Sam pointed out that we could see the building where he lives… here, it’s a tiny spire in the distance.

Rooftop view, Castleberry Hill loft tour

Now in an up-and-down-again, there-and-back-again, across-the-road-again way, the next photo is Sam’s view back toward Castleberry Hill. The stadium building (with the Mercedes sign, on the left in the photo above) is barely visible on the horizon in the lower right, below. It’s just above the red V-for-Varsity sign.

View south from midtown Atlanta

View south from midtown Atlanta

So we’re back again and ready for next year’s Castleberry Hill loft tour.

Do you have a favorite local homes tour?

 

More on the Weekly Photo Challenge: Ascend

And, some information on next year’s Castleberry Hill Loft Tour

More Buttons, More MAD, and the Weekly Photo Challenge: Rounded

It’s hard to get more rounded than a button, so I’ll take this excuse to post yet another kind of button collection —

Assorted buttons...

Assorted buttons… mostly rounded.

Not that this is a conscious collection, it’s a group of ‘found’ buttons I put together when I came across them while packing up. Some must have been Bob’s (Politically Incorrect). Later I found political buttons old enough to have been his father’s, but by now they’re packed up again. They may show up in a later post.

Here’s a button collection from a display at MAD’s (the Museum of Art and Design) Counter Couture show last March.  It’s a time-capsule, an interesting aside to the exhibition, and a flashback if you remember the Sixties (but as the saying goes, if you remember the Sixties you weren’t really there). It was a big time for buttons, so someone got a little humor out of the ‘Ban Buttons’ button —

The Sixties: Buttons at MAD Counter Couture

A Historical View: Sixties Buttons at MAD’s Counter Couture

While we’re at MAD,  here’s a view of a gorgeous and eye-popping crocheted wrap and bathing suit with rounded patterns. Curves may have been synonymous with groovy there for a while. —

Birgitta Bjerke - Red Hands bathing suit , 1968

Birgitta Bjerke – Red Hands bathing suit (wool), and on the wall, Heather Daltrey coat , 1968 (wool)  Wait, what — wool bathing suit?

As for the Sixties, here’s a test: “Remember what the dormouse said?”

More on the Weekly Photo Challenge: Rounded

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1970s-Era Denim, Counter-Couture at the MAD Museum, and the Weekly Photo Challenge: Textures

Downsizing got a little all-consuming around here this spring. This week’s ‘Textures’ challenge reminded me I hadn’t shared pictures from Counter-Couture – Handmade Fashion in an American Counterculture, a show we saw at the Museum of Art and Design (MAD) in New York in March. And who wouldn’t want to see, or wear, a flaming horse (or chicken!) flying in the sky —

MAD Museum - Embroidery Detail - Anna Polesny - Fancy Jacket 1974

Detail: Anna Polesny – Fancy Jacket, 1974

These pieces were in the Levi’s Denim Art Contest of 1974. Anna Polesny was born in Czechoslovakia. This embroidery tells the story of her life and travels.

Here’s the winner of the 1975 Levi’s contest —

MAD Museum - Billy Shire - Welfare - Sneed - My Personal Belt - Detail

Billy Shire – Welfare – Sneed – My Personal Belt

The artist’s clothing has been worn by musicians in the bands Chicago and the Doobie Brothers, and by Elton John.

This is an 11-pound jacket. Rockers work hard. Some materials: upholstery tacks, handset studs, rhinestones… and yes, that’s a desk bell, meant to chime when the jacket is worn. There is also purportedly an ashtray, but I believe I remember it was on the back. On the belts: bicycle reflectors, rivets, and luggage-bottom studs.

MAD Museum - Billy Shire Denim Jacket detail

MAD Museum – Billy Shire Denim Jacket detail

Counter-Couture, Handmade Fashion in an American Counterculture is on display at MAD through August 20, 2017.

Now back to downsizing — remember downsizing? I thought I’d donated or recycled all my oldest jeans, but here’s some denim I found in the depths of the closet this spring. My oldest jeans This isn’t even all the old jeans. No embroidery here, but the green jeans are 1970s era bellbottoms. As for embroidery, I do remember having some small well-behaved embroidery patches over holes, but of course nothing on the scale of the wonderful show items. I can offer this colorful inside label —

Green jeans vintage label

Vintage rainbow label in my 70s-era green jeans…

I guess having these makes me Ms Green Jeans. Is anyone else old, um, vintage enough to remember Mr Green Jeans?

More on Counter-Couture at MAD

More on the WordPress Weekly Photo Challenge: Textures

 

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